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| The east end of Halifax Minster |
Setting off from Treeton at 8:10 am on my day out to Halifax and Huddersfield, I finally arrived at Halifax bus station at 11:50 am and immediately set off to find the Grade I listed Halifax Minster, formerly known as the Church of St. John the Baptist. This was originally built in the C12 but now mainly comprises a fabric that was built in several phases during the C15 – with some C16 and C17 additions and a restoration of 1879 by Sir George Gilbert Scott and his son John Oldrid Scott.
Approaching from King Street and passing Halifax war memorial, my first view was of the tall tower, which was was completed c.1482 and dominates the rest of the church – described by Peter Ryder in The Medieval Churches of West Yorkshire as being “without doubt the largest and most impressive church in the county”.
The bedrock underlying Halifax is the Rough Rock, which in this area is a coarse and pebbly gritstone and The Building Stones of England – West and South Yorkshire mentions that building stone for Halifax and its suburbs was provided by quarries at Norland Moor, Greetland and Ovenden, among others.
To the east of Halifax, stone for walling, roofing slates and paving for the cities of Halifax, Huddersfield, Leeds and Bradford was obtained from many quarries on the Elland Flags around Northowram, Southowram, Hipperholme and Brighouse.
The stonework of the tower is severely blackened, a legacy of the pollution produced by the steam powered textile mills, but the block size of its ashlar masonry immediately suggested that the Rough Rock as been used in its construction and probably for the masonry for the adjoining north aisle – with the renewed Y-tracery of its windows being dated c.1290 by Pevsner.
The western end of the north aisle has been rebuilt with ashlar where the arrises are quite weathered and adjacent to this is the north porch, which is built with large gritstone ashlar blocks that still retain their sharp profiles and are therefore probably of a later date.
Unusually for a C15 church, the nave does not have a clerestory and the usual castellated parapet and crocketted pinnacles but the Rokeby Chapel, dated by Ryder to 1533, has a decoration to the parapet that I had not seen before and would describe as an acanthus leaf pattern but, very surprisingly, Historic England (HE) make no mention of this.
Alongside the north elevation, grave slabs and riven paving are laid between the fabric and the boundary railing, which are undoubtedly made from the Elland Flags sandstone. Although I had seen a lot of yellowish massive sandstone when exploring Headingley in Leeds, I had always associated this formation with flaggy beds – as seen at Leeds Minster and the Church of St. John the Evangelist and its former graveyard, which now forms the Penny Pocket Park.
All three elevations of the Rokeby Chapel have large Perpendicular Gothic style windows, with the north elevation having a square window and a door below that were inserted at a later date. Continuing to the 3-bay chancel, which does have a clerestory, the windows and decoration to the parapet are in the same style and indicates that it is contemporary.
Continuing to the east end, a tree obscures the east window of the north aisle and I only took a couple of general photographs from a distance, but the parapet details and the windows look very similar, with some of the tracery in the chancel window having been restored.




















































