A general view of Holy Trinity church from the north-west |
During my trip to Ashford-in-the Water, although I only had time to quickly walk around the village, I encountered many Iisted buildings, various walls and other structures that exhibit the building materials typically found in the White Peak – Carboniferous limestone walling and Millstone Grit dressings, with flaggy varieties of the latter being used for roofing.
Limestone and gritstone used in the tower |
Approaching Holy Trinity church from the north-west, having previously walked down Vicarage Lane, the tower obviously looked like it was mediaeval – from the C13 according to Pevsner – and when close enough to see the details of the individual blocks of stones, I noted that the walling stone essentially comprises thinly bedded pale grey/light brown limestone, with some chert, and that the C14 parapet is built with gritstone.
An extension built in limestone and gritstone |
This church was largely rebuilt 1868-70 and, quickly walking around its exterior, I didn’t find anything of particular architectural interest apart from a recent offshoot extension to the north aisle, which made me curious to know where the limestone and gritstone came from – as a stone matching expert - and the remains of a preaching cross, which reminded me of the one that I had seen the month previously at St. Peter’s church in Edensor.
A view of Holy Trinity church from the south-west |
The south elevation is obscured by two large yew trees – considered to be more than 500 years old - and having walked along Church Street to get a view of the church from the south-west, I discovered the Cornish granite memorial to the Great War.
A memorial plaque dedicated to WW2 |
Next to this is a memorial to the Marquess of Hartington – the heir apparent to the Duchy of Devonshire – and others who perished in WWII, which appears to be made of Hopton Wood stone. Here, there is also a castellated chimney that was removed from the vestry roof and is now used as a 2000 millennium time capsule.
Entering the porch, a Norman tympanum above the door depicts the tree of life with a hog and a lion set either side of it and, once inside the church, I discovered a single north arcade with very simple capitals, dated to the C14, and a font in the Perpendicular Gothic style but – with the walls being completely plastered – there wasn’t much masonry to catch my eye.
The tympanum above the south door |
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