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| The south elevation of the Church of St. John the Baptist |
Continuing my exploration of Winster, having photographed several listed buildings on West Bank and Woolley's Yard, the next building on my Photo Challenge for Winster was the Church of John the Baptist's church on Elton Road.
With only 72 minutes before I planned to catch the No. 172 bus to Darley Dale, where I would link with the Transpeak service to Bakewell, and 25 buildings still to photograph, I quickly walked along the public footpath to the east entrance to the churchyard, which has gate piers with stepped pyrimidal caps. I didn't expect the church to be open, but many people were going in and out and I assumed that it had been opened especially for the Winster Secret Gardens event.
The earliest chapel on this site is thought to have been built c.1100 and was one of five chapels given to the Abbey of Leicester during the reign of Henry II, but this was rebuilt in 1721 and nothing of the original building remains.
Pevsner describes the church as being rebuilt 1840-42 to a design by Matthew Habershon, with only the tower being retained in an offset position to the south-west corner, with further alterations by A. Roland Barker in 1883. In respect of the latter phase of rebuilding, the church website describes that the earlier church had been poorly built and had become unsafe.
Due to time constraints, I didn’t spend any time looking at the details of the stonework, which is yet another use of reddened gritstone from the Corbar Grit (formerly named the Ashover Grit) and I only took a few general record photographs of the church.
While completing a circuit of the church, I did stop to photograph a few of the headstones made of Hopton Wood limestone, Peterhead granite and purple slate – which I thought was Welsh slate but could possibly be Swithland slate from Charnwood Forest – caught by eye, but I didn’t notice any of the Commonwealth War Graves Commission headstones.
Entering the church, the most notable feature is the double aisle, which has a single arcade with tall slim quatrefoil columns runnng down the middle - a feature that I had only seen before at the Church of St. John the Evangelist in Leeds (1634).
Pevsner describes this aspect of the 1883 alterations by Roland Barker as quite remarkable, with the diagonal arches that replace the traditional single chancel arch being "a surprising and successful effect", but a quick Google search didn't throw up any more information about him.
I only spent 6 minutes taking general photographs of the interior, which included views from the gallery, but I didn't notice the font. This has an unusual design and is considered to be of Norman origin, but later reworked during the Tudor period.
Leaving the churchyard and heading back to West Bank, I was interested to see that the boundary wall to the adjacent Dower House is built on a small outcrop of Carboniferous Limestone. Getting closer, its very porous texture with large voids immediately identified it as dolomitised limestone, with its rounded form reflecting its susceptibility to weathering compared to that seen in unaltered limestone from the Eyam Limestone Formation.





















































