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Frampton Villa on Tithe Barn Street |
Walking along Tithe Barn Street
during the first part of my exploration of the historic architecture of
Horbury, when arriving at the group of listed buildings comprising the
lock up, Town School and Sunday School, I had reached the western limit of the town, as marked on the 1854 edition of the Ordnance Survey map.
Like
many of the industrial towns and cities in northern England, the second
half of the C19 saw a rapid expansion of Horbury and, continuing my
walk along Tithe Barn Street, I immediately encountered examples of houses built in the late Victorian and Edwardian
periods, which have a completely different character.
On
the north side, moderately sized detached villas with substantial grounds were built for the business owners
and middle classes in the second half of the C19 and on the South side, centred on Bank Street,
terraced houses for the workers appeared in the first decade of the C20.
I
didn’t get near any of the larger houses to look at the stone that has
been used, although my photo shows that High Bank – now extended and
converted into flats - is built with a uniformly buff coloured
sandstone, with the window surrounds being formed from massive blocks,
which may be from the one of the major suppliers around Huddersfield and Bradford.
In
the garden of Frampton Villa, a rockery in front of the house contains
large blocks of white gypsum and black slag or crozzle, which is very
commonly seen in Sheffield, where this waste material from the
cementation furnaces was used to top the boundary walls of Victorian
houses.
At
the end of Tithe Barn Street, on the corner with High Street, is the
former Westfield Congregational Chapel (c.1878), which is derelict and
without a roof, but I didn’t stop to have a close look at and continued
along Westfield Road to Horbury Library (1906).
The
Horbury History website states that the Wakefield Express described its
building materials as the best white Delph stone for the walling,
Crosland Hill stone from Huddersfield for the dressings and blue
Westmorland slate for the roof.
Next
to the library is the old Town Hall (1903), where the muddy grey/brown
colour of the walling stone and the pattern of iron staining is similar
to sandstone seen earlier in my walk, which I have presumed to be the
locally quarried Horbury Rock. The dressings are made of a uniformly
coloured massive sandstone, which is suited to fine carving and this
could also be Crosland Hill sandstone from the Rough Rock.
After
taking a few photographs of the later C19 terraced housing on Jenkin Road and Park Street, which are probably further examples of the Horbury
Rock, I walked up Manor Road to see if I could find St. Peter’s Convent,
but I couldn’t find any easy way to get there.
I
followed a snicket for a short distance, where the rubble walling on
both sides fully highlights the variation in the physical
characteristics of the Horbury Rock – bed height, grain size and
sedimentary structures – all of which are reflected by the weathering
and durability of the individual stones used to build the walls.
In
one place, the lower section of the wall had failed and I collected a specimen of muddy grey/brown fine grained sandstone, which has an iron
content that is seen as general orange staining and a thin band of
ironstone.
Returning
to High Street, the former Sunday School attached to the Westfield
Congregation Chapel, with its Coal Measures walling stone and medium
grained gritstone dressings, I just took a record photo and continued to
the junction with Highfield Road.
The
early C20 Neoclassical style former bank building, like the library and town hall, has
some interesting architectural features but it it is not listed. Medium grained gritstone is used for the projecting central
bay, the pediment above the door and a rotunda, with other details include the central oculus with swags and ionic capitals
to the pilasters.
Like
most banks of the late Victorian and Edwardian periods, red granite is
used for the simple Tuscan columns that flank the door. At this time,
red granites from Sweden and Finland were being imported into the major
granite producing centre of Aberdeen, but this may be an example of the
Ross of Mull granite.
The United Free Methodist Church (1900) is another impressive building that is not listed and represents one of nine Methodist churches
that once existed in Horbury, where there were four strands of
Methodism. I didn’t examine the stone, but from my photos it looks like
the muddy grey/brown walling is another use of Horbury Rock, with the
dressings made of massive uniformly coloured medium grained gritstone.
I stopped briefly to photograph the Grade II Listed Lydgate Manor,
which dates to the late C18 or early C19 and is built with
Horbury Rock, painted massive sandstone dressings and a
stone slate roof. I finished my very brief exploration of Horbury by
photographing Lydgate House, before catching the No. 126 bus to Ossett.
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